Just A STILL LIFE and Just A STALE MATE are the first 2 (stand-alones) in the JUST (e)STATE mystery series
Available as paperback, audiobook or e-book online in most usual places,(Barnes & Noble, Amazon, Book Depository, etc.) including with the publisher, click here: OR by ordering directly through your local independent bookstore (see your nearest contributing one by clicking here: ). The 'View More' button will also link you up directly to most options:
above, the village of Victoria, New Brunswick in the Appalachians of Atlantic Canada, where Just A STILL LIFE is entirely set and where Just A STALE MATE begins. Polly Jane's cedar-shake Post Office can be seen, as well as the buildings for the Village Hall, the Nackawic Neighbor and, far right, a portion of the huge red-brick Grimball home. (For more, scroll below)
Just A STILL LIFE, pub. Sept. 22, 2022. See more about the book deal, actually 75 years in the making, by clicking camera icon at right. Read/see more about the book below. Thank you!
P.S. The sequel, Just A STALE MATE, out June '2023 also by BlackRoseWriting, Texas
Read Pre-release Reviews here:https://www.youtube.com/watch?v=Jun2uWMPBYA&t=39s
In the simpler times of September, 1971 Inspector Philip Steele, recently transferred to Fredericton,NB, Canada, takes a well-deserved holiday with his beloved and aging godmother in her quaint Victorian village just north of the capital. But when a bank robbery and the murder of a teenage boy initiate a string of even more shocking events which wreak panic in the quiet community, Phil must return to long days of investigation with his oft misquoting, failed-journalist sergeant Zareb Woodbridge, who struggles with questioning some of the more racist locals. While his godmother prepares her annual harvest moon ritual to be used as a trap for the murderer, Phil has fallen in love with the accused: watercolourist Beth Grimball, enjoying new-found 'freedom', albeit in a jail cell. New Brunswick potato and orchard farmers are offset with the likes of Carol Caribou, a Wolastoqiyik post-office intern who is able to help gather gossip as potential clues, 'immigrant' North Shoreman Gaston Hauche and fingerprinting expert Jose Santana, whose Cuban family have lived in Atlantic Canada since the 1700's cod/sugar trades but who is still considered an outsider. Final chapter twists include the re-entrance of a flamboyant hippie, Jenny Connelly, who writes for the just-established Moncton Monocle and who has her own startling bit of personal news to add to Inspector Steele's obligatory summations. "Just A STILL LIFE" is the first of a murder-mystery 'JUST(e)STATE' series, the following books to be prequels to this one.
Where to purchase online, and in various formats:
Blue-haired and wrinkly, but still graceful and agile, P.J. Whistler has danced her Harvest Moon ritual every September since her fiance was killed in WWII. It becomes a handy way of trapping a killer also...
The fictional village of Victoria, set about an hour north of Fredericton, the real-life capital city of the province of New Brunswick is described very much as this Maine village (pictured left). All is quiet and quaint... until a bank robbery and the murders begin... And scroll to the very bottom to see what Black Detective Sergeant Zareb Woodbridge "Woody" thinks of those white picket fences that some think symbolize picturesque safety...
Beth Grimball's disguised diary, where many of her waxy 'still lifes' are hidden, becomes a clue for the investigators. First, it was to point to her as the villain and lynch-mob mentality had her become the accused and imprisoned. Later it and her more colourful, vibrant and lively paintings would prove her salvation. And in more ways than just a release from her jail cell...
above, auburn and freckled, the 43-year-old Detective Inspector Philip Steele is tired and ready for vacation in the fictional village of Victoria, NB. He hopes to spend a few weeks with his beloved godmother, P.J. at her post office home. But then...
photo from screen shot, Sister Boniface, BBC
When the massive old Sanderson/Grimball red-brick Victorian down the tree-lined street from Phil's godmother's becomes the scene of several murders, it was a run-down and closed-off structure at which the media poked fun. After the mysteries were solved it was reinvented as a friendly and warm orphanage, a welcoming beacon to the lost by both day and night.
Former young journalist, now new investigator Zareb Norbert Woodbridge, joins Inspector Philip Steele for their 2nd case together. Can he fight off the racism in the small village of Victoria long enough to get truthful answers from the many witnesses he is asked to question?
Vibrantly colourful hippie Jenny Connelly is a reporter whose editor is on a tabloid mission of printing whatever 'colourful' statements and stories he can twist. At first harmful to the investigation, Jenny's further research brings surprising conclusions.
Once dressing in drearily drab clothing and no make-up, despite the 1970s fashion, Beth soon springs forth now that her aunt has died into autumnal yellows, reds and oranges as the case develops. Her new-found freedom (while still inside her prison cell) has freckled Phil falling in love. And more determined than ever to prove her innocent!
about the origins from 75 years ago...
Victoria Ivanel Johnson is author/playwright J. Ivanel's paternal grandmother. V.I.J. penned a first draft idea of Still Life ( her orig. title: Prison Is A Private Place) in 1948. She was a 1920s "quietly rebellious" flapper who attended for a short time, the famous private girls' school, Alma College (near where she grew up in a small village south-west of Toronto). It was here where she learned to become an enthusiastic patron of the arts; she thus travelled the world, attended many Broadway, Toronto and West End shows, attended galleries and poetry readings and taught elocution. However, she mostly enjoyed sitting at her typewriter the majority of her days pounding out short stories, novels and plays. Although two of the latter were produced by her village's community theatre group, (see below photos) she only ever approached one publisher in her lifetime. When she was told that her work needed more 'boudoir scenes', she determined never again to receive a rejection and thereafter wrote only for her family and for her own enjoyment of the process. It was she who gave her grand-daughter her first electric typewriter on which to begin her writing career. In her last days, J. Ivanel promised her that her grandmother's name would someday appear on the front cover of books, and that her novelist legacy, starting with Still Life, would be promoted. Photos below are of her in her theatre troupe, at her new writing desk (also inherited by J.Ivanel) in 1959 and as she looked in the early 1970s when Still Life has been ultimately set.
left, and above, The author with her grandmother, about 35 years ago, with stacks of books and discussing some of Victoria Ivanel's various manuscripts which might be someday revised to 'cozy' mystery novels by granddaughter, J. "Ivanel". J. Ivanel Johnson was also asked to write a guest blog post on Grieving - a Promise At Passing, about this promise made to her grandmother exactly 30 years ago.It is here, with the 2 below photos :
https://www.griefhealingblog.com/2022/05/voices-of-experience-promise-at-passing.html
left, above, the author with her author-grandmother, beginning a tradition that lasted many decades - sharing stories!
photo which appeared in the Fredericton Daily Gleaner, Jan. 2022, to announce book deal. Original ms from 1947 is under glasses, and grandmother's photo is on bookshelves behind.
Below left, a sample from V.I. Johnson's original typed manuscript, Prison Is A Private Place, drafted in 1948 and set in the same time. To right, the same much-revised and updated (now set in 1971) conversation (with 'Aunt Polly' now 'Polly Jane (P.J.)' and Philip's godmother instead). This 2nd draft was worked through intensively in 1998 -1999 by J. Ivanel exactly 50 years later on an early computer, then left for another 20 years before being revised and retyped into her laptop in 2020. J.'s grandmother's 4 novel ms. have travelled twice across the Atlantic Ocean and back and once across the full breadth of the United States awaiting reworking and rewriting. Still Life has been far from 'still' !
Just A STALE MATE, the multi-award-winning sequel/prequel to the above, is set primarily in s-w Ontario in 1969. Themes incl. Dickens wordplay, tobacco farming, early drug addiction rehab., artists' colonies, early Riding for the Disabled (now referred to as Therapeutic Riding), and chess. Issues include the hiding of sexual preferences for a member of the LGBTQ community, how Mexican Mennonites were marginalized, and includes several physically (dis)Abled characters, more animals AND whodunnit-style clues than Just A STILL LIFE, and a few philosphically religious-based dialogues.
above and left, where the author grew up in s-w Ontario, and where this prequel is set, in 1969. The Sandusky photo was not clear enough to use for the actual book cover...
right, Port Burwell, ON (Port Dune in the novel) is known for its Sand Hills, or dunes. Beds and Breakfast were rare in 1969, but creative license has been used to suggest a larger tourist industry here than there was at that time...
Just A STALE MATE synopsis : When P.J. Whistler leaves her Appalachian village of Victoria, New Brunswick in the summer of 1969 to visit her godson’s family in south-western Ontario, she isn’t prepared for her keen observational skills to be in demand for solving a murder. But when her godson, homicide consultant Inspector Philip Steele and his mother Lary, who is now running their family farm, the “JUST (e)STATE”, as one of the first therapeutic riding schools in North America, ask for P.J. to help with the investigation of a young man who fell to his death from a railway trestle, she is happy to oblige.
The many suspects from as far as Yorkshire who are staying at the rural retreat outside Sandytown all seem to have a motive. Or at least a secret. And what of the constant Dickens references behind which they all hide? Will Phil and P.J., along with Detective Trevor Ames (closeting a secret of his own), be able to ‘unearth’ the killer? Or is what’s buried on the retreat’s property destined to remain there forever?